As early European modernism seemed to supplant all other architectural idioms in the
United States during the late 1930s and 1940s, many of Schmidt's colleagues
passed away or retired from practice. But what the architectural historian
William Jordy has called "the domestication of Modern"
did not supplant or even seriously challenge the traditional country house
among most conservative, wealthy clients. Schmidt continued to attract devoted
clientele during the 1950s and '60s, even among more progressive thinkers, as
the Rockefeller family illustrates. In 1937 John D. Rockefeller, Jr., retained
him to design a lavish two-floor apartment at 740 Park Avenue as a showplace
for a large part of his collection of European, Oriental, and American art and
antiquities (Figure 39). The following year Schmidt was asked to
design a first home for Abby, John D. Rockefeller Jr.'s daughter, and her
husband, David Milton. Located on the Rockefeller compound in Pocantico, New
York, Hudson Pines (Figure 40) was a larger variation on the formula developed at Pook's
Hill and perfected in the Dillon house (Figure 41). His working
relationship with the Rockefellers continued for several decades. When the
sons of John D. Rockefeller, Jr., added to or altered the large Pocantico
estate house, Kykuit, in the 1940s, 1950s, and 1960s they often called upon
Schmidt, who gave them the same refined traditional look which graced the other
buildings.
The group of New York's elite who, like the Rockefellers, chose
tradition running back to their ancestors over the "shock of the
new;" would come to Mott Schmidt as one of the last competent eclectic
architects still practicing after World War II. He was referred by longstanding
clients as well as by fellow professionals. In 1958, Dorothy Dillon Spivak, who
wanted a French style house built around a set of 17th and 18th
century rooms from a Parisian hotel, was given Schmidt's name
by four of the leading architecture schools on the East Coast as the best man
for the job.